c o v e r s t o r y
Pursuing the Femme Identity
by Andrea Spoehrer

f e a t u r e s
Revealing the "psuedo-invert"
Una, Lady Troubridge

by Alison Phipps
Ashes in the Paint
by Michelle Bancroft

c o l u m n s
Health
by Dr. Lipstick
Wealth
by Ms. Moneygrrl
Sex
by SexySuzi
Advice
by Victoria
Fashion
by Dara
Femme Perspective
by Kenya
Butch Perspective
by D

Publisher's Note
Letter from the Editor
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Fashion for the Femme Fatale

Dateline: Paris, Winter 1999 for the Spring/Summer 2000 Fashion Shows

by Dara Paris

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All you femme fashion devotees who want to be in fashion but have no desire to model or design, listen up now. You see, he didn't go to school for his vocation at all. Architecture? Lighting and Design? No, neither. He was an accountant and decided "enough of this!" and produced a show with a friend in Biarritz.

Anyway my darling femmes, let's get back to the main event-the shows! Morganne and I attended the shows of Stella Cadente, Ines de la Fressange, Jean-Charles de Castelbajac (one of my favorites), Cerruti, Balmain, and the renovated line of Carven. What was to see at each? Breathtaking clothes, glamour, uninteresting clothes, glamour, super models, glamour, unknown models, glamour, papparazzi and the chaotic order that screams fashion.

We arrived a tiny bit late (fashionably late of course) at Ines. Instead of going backstage, we had seats. Ah how exciting it was but how shockingly normal! I was born to belong in this world! (Of that I came to be sure by attending the shows). The beautiful women passed by wearing clothes, I am sure, but I have to admit I sometimes forgot about the clothes. Pretty women, half-naked, in front of me. Backstage, they are often completely naked. How was a girl to concentrate on the story with all of these treasures teasing her eyes? But I am, sniff, a professional and did try to remember the clothes every once in awhile.

After reading pages and pages about how all models throw tantrums constantly, are drugged, and argue over the most daring outfits, I discovered, to my surprise, that they were completely the opposite. At the big show of Balmain, where I was backstage the whole time, I heard girls complain about the transparency of their outfits. Apparently they don't mind undressing backstage, but to broadcast their breasts to millions on TV and in magazines? That is something different. I wouldn't want that either.

The models appeared quite sober, with perhaps one exception, although tired. (I don't blame them for we were exhausted after that week, too.) One model did confide in me that she doesn't talk to the big girls because they teach you how to fight with your agent, starve and throw tantrums to get the best jobs and most money. She's a beautiful, healthy looking girl to whom I wish the best of luck. She absolutely loves modeling, just finished high school, and though young seems to have a good head on her shoulders, a must in this not-as-glamorous-as-you-would-think business.

The women are stunning. But then, I only saw them after they sat through 3 hours of makeup and hair styling. And, at some shows, while they are beautiful you wouldn't necessarily identify them as models in another context. We should all stop worrying about ourselves. We are all beautiful enough! Trust me I've seen the ultimate beauties and I still prefer the women on the streets.

continued on page 3

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